Country: USA
Genre: Post Rock, Punk, Garage Rock, Indie Rock
Label: Sacred Bones
Tracks: 7
Length: 34.15'
New York band The Men have always been genre-morphic and unpredictable,
but on their eighth album Mercy they have truly done something new as a
band. For the first time since forming, they have now created three
straight records with the same lineup, and the result is a sound that
feels developed and continuous despite running the gamut of mood, in
true Men fashion. Having this lineup stability has allowed the band to
deepen and finesse the sounds they were exploring on 2017’s Drift and
produce tracks that have a unique and distinct voice.
Mercy was recorded live at Serious Business studio to 2" tape with
Travis Harrison. The band did minimal overdubs, contributing to the
urgent feel of the recording. The album is simply the sound of a band
that has a deep and unjaded passion for songwriting and creation,
working at the peak of their collaborative connection.
Founding guitarist and vocalist Nick Chiericozzi described the band’s
process by way of an anecdote borrowed from Jeff Daniels about his time
working with Robert Altman: “Daniels said, ‘Altman will tell you, ‘Now
walk through that doorway,’ but what he doesn’t tell you is that he’s
got three people walking through the door from the other direction.’
Doesn’t that sound like a Men record? We’ve got
‘Children All Over the World’ saying hello to something like ‘Fallin’
Thru’. Mercy has a place next to Drift and it’s now a distant neighbor
to New Moon, Devil Music and the others. It’s a wholly contained
universe that shares the ash, the birth and the memory; the things
motion takes with you after bumping into someone. We hope you enjoy the
record and what it brings.”
Mercy takes the listener on a cinematic journey throughout its seven
tracks, beginning with the soothing but lonesome country rock opener
“Cool Water.” This track, like many on the record, feels timeless,
illustrating the band’s ability to write songs you are convinced you’ve
heard before on the B-side of your favorite record from the ’70s. You
are then pulled into its longest song, the 10-and-a-half minute
psychedelic blues rock opus of “Wading in Dirty Water.” The band explore
some new territory on Mercy, and they also revisit the Suicide-style
sound they have been working on for a while through Drift and also with
one of their side projects Dream Police, resulting in the highlight
“Children All Over the World,” a song that could stand next to any
classic rock hit but with The Men’s unique artistic savvy. It wouldn’t
be a contemporary Men record without a total fuzzed-out stomper a la
their Open Your Heart-era sound, and this record’s offering, “In the
Breeze,” shows the band’s complete command of this urgent and
pulverizing style.
*This is some really cool post rock, post punk, punk, garage rock,
and indie rock. Really dark and moody! Highly recommended! Enjoy! Mercy was released via Sacred Bones records on February 14th, 2020.
The Men on Bandcamp
Sacred Bones Records on Bandcamp
Purchase
Listen Here
Showing posts with label The Men. Show all posts
Showing posts with label The Men. Show all posts
(U.S.) The Men-Drift LP (2018)
Preached by
Chris Morris
on
Monday, March 05, 2018
Country: USA
Genre: Post Rock, Post Punk, Punk, Garage Rock, Indie Rock
Label: Sacred Bones
Tracks: 9
Length: 33.0'
Drift is the seventh full-length by NYC rock polymaths The Men. The band’s last album, the self-released Devil Music, was the sound of a band who had been through hell hitting reset and looking to their roots to rediscover themselves. On Drift, The Men return to their longtime label Sacred Bones Records and explore the openness that Devil Music helped them find.
The immediately evident result of that exploration is the experimental quality of much of the material on Drift. Songwriters Mark Perro and Nick Chiericozzi chase their muses down a few dozen thrilling rabbit-holes over the course of the album’s nine tracks. The songs on Drift veer in a number of directions, but notably, almost none of them feature a prominent electric guitar. The lone exception, “Killed Someone,” is a rowdy riff-rocker, worthy of the finest moments of the band’s now-classic Leave Home and Open Your Heart albums. The rest of the album drives down stranger highways. “Secret Light” is an improvisation based on an old piano riff of Perro’s. “Maybe I’m Crazy” is a synth-driven dancefloor stomper for long after last call. “Rose on Top of the World” and “When I Held You in My Arms” are paisley-hued, psyched-out jams with big, beating hearts.
The album was recorded to 2" tape with Travis Harrison (Guided by Voices) at Serious Business Studios in Brooklyn. A whole pile of instruments was involved — synths, strings, sax, steel, harmonica, tape loops, on top of the usual guitar, bass, and drums. Unlike recent releases from The Men, there aren’t many overdubs on Drift — a reflection of the personalities of its makers becoming less frantic, Chiericozzi suggests. In fact, the band removed a lot of the additional parts they tried adding early on, giving the final product a bit of a ghostly feel. The songs on Drift took giant leaps and trips from their beginnings only to find the band returning to the first spark of creation. (Press Note)
*This is some really cool post rock, post punk, punk, garage rock, and indie rock. Really dark and moody! Highly recommended! Enjoy!
The Men on Bandcamp
Purchase
Listen Here
Genre: Post Rock, Post Punk, Punk, Garage Rock, Indie Rock
Label: Sacred Bones
Tracks: 9
Length: 33.0'
Drift is the seventh full-length by NYC rock polymaths The Men. The band’s last album, the self-released Devil Music, was the sound of a band who had been through hell hitting reset and looking to their roots to rediscover themselves. On Drift, The Men return to their longtime label Sacred Bones Records and explore the openness that Devil Music helped them find.
The immediately evident result of that exploration is the experimental quality of much of the material on Drift. Songwriters Mark Perro and Nick Chiericozzi chase their muses down a few dozen thrilling rabbit-holes over the course of the album’s nine tracks. The songs on Drift veer in a number of directions, but notably, almost none of them feature a prominent electric guitar. The lone exception, “Killed Someone,” is a rowdy riff-rocker, worthy of the finest moments of the band’s now-classic Leave Home and Open Your Heart albums. The rest of the album drives down stranger highways. “Secret Light” is an improvisation based on an old piano riff of Perro’s. “Maybe I’m Crazy” is a synth-driven dancefloor stomper for long after last call. “Rose on Top of the World” and “When I Held You in My Arms” are paisley-hued, psyched-out jams with big, beating hearts.
The album was recorded to 2" tape with Travis Harrison (Guided by Voices) at Serious Business Studios in Brooklyn. A whole pile of instruments was involved — synths, strings, sax, steel, harmonica, tape loops, on top of the usual guitar, bass, and drums. Unlike recent releases from The Men, there aren’t many overdubs on Drift — a reflection of the personalities of its makers becoming less frantic, Chiericozzi suggests. In fact, the band removed a lot of the additional parts they tried adding early on, giving the final product a bit of a ghostly feel. The songs on Drift took giant leaps and trips from their beginnings only to find the band returning to the first spark of creation. (Press Note)
*This is some really cool post rock, post punk, punk, garage rock, and indie rock. Really dark and moody! Highly recommended! Enjoy!
The Men on Bandcamp
Purchase
Listen Here
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